by Michael Martens & Jetske Visser
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design architect & curator
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Chair part of a collection in which some@pieces are made of upcycled material of @ikeatoday @ikeamuseum posted by @visible_product_design
Imagined architectural spaces by @teaaalexis ☄️
✨💫New Mexico micaceous clay teapot by @rrael #3dprinted by #emergingobjects in a project with @unfoldantwerp #viabinarii
💛this furniture from @estudiocampana's Sobreiro Collection made with cork. 📸 by Estudio Campana
#design #furniture #cork #housewares vía @metropolismag
💜 Art by @robwoodcoxphoto
Dancers: @cailyn_r, @vinnybalbo, @nialonette, @kathcheng, @thebaseballballerina, @tristanreynolds, @babiekeeshkeesh, @jasmineasugar, @ry_derv
💙@benmedansky via @sayhito_
You’re welcome to see my project:
An die Nachgeborenenis a poem by Bertolt Brecht, written between 1934 and 1938 while he was living in exile in the Nordic Countries. Brecht first travelled to Denmark, then to Sweden, where he lived for a year on a farm near Stockholm. This poem talks about Brecht’s experience as a refugee. The artist Per-Oskar Leu transforms the work into a sculptural piece, mixing fifteen different voices in a two-channel sound installation.
To Those Who Follow in Our Wake is an activation of Leu’s art installation An die Nachgeborenen. Local residents of Tensta are invited to perform the poem in their mother tongues. Whilst the audio montage of Brecht’s poem is in German, the live performance is in some of the different languages spoken here, including Arabic, Somali, Turkish and Swedish. Ninety per cent of the population in this neighbourhood are of migrant origin, so the poem may really strike a chord with them. It has been translated for this occasion in collaboration with the Language Cafe and Fahyma Alnabsi,a team member at Tensta konsthall from Syria. The intention of the project is to make the poem ‘go public’ on the opening day of the exhibition. The reading will be done by Samir Latif Hafiz in Arabic, Asha Mohamed in Somali, Gulgun Ok in Turkish and Nawroz Zakholy in Swedish. #stockholm #exhibition #performance #tensta #tenstakonsthall #peroskarleu #brecht #bertoltbrecht #migration #curator #art
💓Max Lamb | Pink Poly Series
Josepha Gasch-Muche 07/02/18
Lara Bohinc | Relic Short at @gallery_fumi
Photo: @tomhartford
#galleryfumi #fumishow#contemporarydesign #fumiicons#maxlamb #larabohinc #josephagaschmuche #interiordesign #winterexhibition #londondesign
@mayfairdesigndistrict
💛#CalEarth #Intitute via @valeria.vasi vía @somewhereiwouldliketolive #architecture #design #landscape #art
Sisters @sisters_ox Marta Ayala @marta_ah's works reflects on the relationship of the individual with his/hers environment through the objects and experiments with industrial materials and craft processes. Marta usually designs pieces for home or contract, with an aim to generate a dialogue that makes the viewer or user reflect. 8-17 March at @oxbcn Barcelona
Art direction and Graphic design by @emmykoski Photography by @luizalacava Production assistant @allie_heesh
#sisters_ox #barcelona #exposición #8demarzo #8M #femaledesigners #womenempowerment #visiblewomen #womenindesign #sisterhood #oxbcn
Project supported by @oxbcn @provotum @storyweproduce and @appletree_comms vía @sisters_ox
❣️ @kerearchitecture Gando School Library, Gando, Burkina Faso, 2013
#kerearchitecture #franciskere #architecture #openings #light #architecturedesign #architecturephoto #architecturedose #architecturedetails
✨Orbit by @maloupalmqvist photographer @katarinadileva #katarinadileva #art #fineart #contemporaryart #mixmediaart #ceramics #sculpture
💕 #williamforsythe at @icaboston 🔝
💜The Brancott Estate designed by @studiodror posted against the purple and blue tones of the coming sunrise by @mattscutt #dror4brancottestate @brancottestate
‘Noetic’ is the fruit of the latest collaboration between #AntonyGormley and choreographer #SidiLarbiCherkaoui representation at #SadlersWell in London via @galleriacontinua (In ‘Noetic’, 19 black-clad dancers from the GöteborgsOperans Danskompani, elegantly dressed by fashion design duo #LesHommes, manipulate pliable carbon fibres, designed by Cherkaoui’s regular collaborator, the sculptor Antony Gormley. The two artists already worked together for a previous show entitled ‘Icon’ in which Gormley covered the stage of Sadler’s Wells with three-and-a-half tonnes of clay
Photos by Bengt Wanselius and Mats Bäcker courtesy of Antony Gormley and choreographer Sidi Larbi Cherkaoui.) vía @galleriacontinua
#GalleriaContinua #AntonyGormley #ContemporaryDance #SadlersWell #London @sidilarbicherkaoui @goteborgsoperan @leshommes_
🔝A big job is just lots of little jobs by @allcitywalls
#allcitywalls #waterlinepark #publicart #mural #muralart #brisbane #brisbaneart #brisbaneriver #queensland #painting #design #urbandesign #urbanartprojects #uap #australia #streetart #wall painting
Baroquisme by Vincenzo De Cotiis @vdecotiis at @carpentersworkshopgallery New York
#vincenzodecotiis #collectibledesign #DC1742
🖤Happy Misfit armchair living @vitradesignmuseum by @handmadeindustrials made with a styrofoam filled balloon pressed in an Eames shell seat
#HappyMisfits #permanentcollection #vitradesignmuseum #bodybuilder #bodypositivity #bodyengineers
💕@oddmatter at @thearamgallery #London 📷 @pim_top
💕this product design by @charlottekidger vía @visible_product_design
